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dc.date.accessioned 2020-12-29T12:40:40Z
dc.date.available 2020-12-29T12:40:40Z
dc.date.issued 2020-12
dc.identifier.uri http://sedici.unlp.edu.ar/handle/10915/111516
dc.description.abstract ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation, first, of the DARFUR/DARFUR exhibition of large-scale exterior projections and, eventually, to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could happen to policymakers, voters, and, ultimately, perpetrators. en
dc.format.extent 167-170 es
dc.language en es
dc.subject Arte es
dc.subject Genocidio es
dc.subject Derechos Humanos es
dc.title ART WORKS Projects: Claiming Public Space for Human Rights en
dc.type Articulo es
sedici.identifier.other https://doi.org/10.24215/2618303Xe013 es
sedici.identifier.issn 2618-303X es
sedici.creator.person Thomas, Leslie es
sedici.subject.materias Ciencias Jurídicas es
sedici.description.fulltext true es
mods.originInfo.place Facultad de Ciencias Jurídicas y Sociales es
sedici.subtype Revision es
sedici.rights.license Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
sedici.rights.uri http://creativecommons.org/licenses/by-nc-sa/4.0/
sedici.relation.journalTitle Revista Electrónica de Derecho Internacional Contemporáneo (REDIC) es
sedici.relation.journalVolumeAndIssue año 3, no. 3 es


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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Excepto donde se diga explícitamente, este item se publica bajo la siguiente licencia Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)